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Wide shot of the exact same modest dining room and adjoining kitchen used in every scene of the story at night: identical warm beige walls, medium-tone wood floor, warm practical overhead lighting, and the same rectangular dark-wood dining table with the same four spindle-back wooden chairs in the same positions throughout. Alice, wearing the same understated dinner outfit throughout the story, carefully sets that same table for three with three plates. CUT TO: medium shot as Mark enters the room in the same casual evening clothes he will wear throughout, stopping when he notices the extra place setting. He asks, confused and casual: 'Who's the third plate for?' CUT TO: medium close-up on Alice as she looks up and answers matter-of-factly: 'You said you were bringing someone home.' CUT TO: close-up on Mark, unsettled now, replying: 'I didn't invite anyone.' Hold on the silence after his line. Audio: subtle room tone, faint clink of ceramic plates and cutlery at the start, low tension drone beginning under the dialogue by around 4 seconds. Cinematic vertical 9:16.

Same exact house setup as scene one for strict continuity: identical warm beige walls, medium-tone wood floor, warm practical overhead lighting, and the same rectangular dark-wood dining table with the same four spindle-back wooden chairs in the same positions. Medium shot as a sudden sharp knock sounds from the front door off-screen; both Alice and Mark freeze and glance toward it. CUT TO: tracking shot following Alice as she crosses the same house interior and opens the front door to darkness outside — no one is there. At approximately 2 seconds, the knock should be loud and startling. CUT TO: over-the-shoulder shot as Alice slowly turns back toward the same dining room. CUT TO: wide shot reveal — Mark is gone, and the third plate has vanished too; only two place settings remain on that same table, with the same chairs unchanged. Audio: the knock is crisp and hollow, then near-silence with a low ominous hum rising as she sees the missing plate. No music swell too early; let the emptiness land.

Same exact house setup as every prior scene for strict continuity: identical warm beige walls, medium-tone wood floor, warm practical overhead lighting, and the same rectangular dark-wood dining table with the same four spindle-back wooden chairs in the same positions throughout. Wide shot holding Alice, the blank-faced figure in Mark's clothes, and the real Mark emerging from the pantry in one tense composition. The lights suddenly cut out completely at approximately 2 seconds with an electrical snap. CUT TO: darkness with only a beat of breathing and room tone. CUT TO: the lights flicker back on in harsh pulses, revealing that same dining table reset with three plates and the same chairs occupied by three seated figures. Alice is seated, and two identical Marks are seated with her; no one can tell which one is real. CLOSE ON the table and then their still faces as all three sit motionless, staring forward. End on a chilling frozen tableau. Audio: abrupt power cut, brief blackout silence, then fluorescent flicker buzz and a deep final horror sting when the three seated figures are revealed.